Duke University Press
What's the Use?: On Uses of Use
Postcolonial Modernism: Art and Decolonization in Twentieth Century Nigeria
Eating Is an English Word
Moving Stones: About the Art of Edmonia Lewis (Visual Arts Africa and Its Diasporas)
Blues Mamas & Broadway Belters: Black Women, Voice, and the Musical Stage...
Hydraulic City: Water and the Infrastructures of Citizenship in Mumbai
Facing the Planetary: Entangled Humanism and Politics of Swarming
Ontological Terror: Blackness, Nihilism, and Emancipation
Soldier's Paradise: Militarism in Africa After Empire
Survival of a Perverse Nation: Morality and Queer Possibility in Armenia
Universal Tonality: The Life and Music of William Parker
Interface Frictions: How Digital Debility Reshapes Our Bodies (Sign, Storage, Transmission)
Plantation Worlds
Picturing Imperial Power: Colonial Subjects in Eighteenth Century British Painting
The Costa Rica Reader: History, Culture, Politics (Latin America Readers)
Political Theology Reimagined
Unthinking Mastery: Dehumanism and Decolonial Entanglements
Sensing Sound: Singing and Listening as Vibrational Practice (Sign, Storage, Transmission)
For Emplacement: Political Ontology in Two Acts
Curating Deviance: Programming the Queer Film Canon (Camera Obscura)
the Time Beneath Concrete: Palestine Between Camp and Colony
Indigenomicon: American Indians, Video Games, and the Structures of Dispossession (Power Play: Politics, Culture)
The New Kingdom of Granada: Making and Unmaking Spain's Atlantic Empire
Living and Dying in São Paulo: Immigrants, Health, the Built Environment Brazil
Shapeshifters: Black Girls and the Choreography of Citizenship
Land of Famished Beings: West Papuan Theories Hunger
Every Last Tie: the Story of Unabomber and His Family
Open Admissions: the Poetics and Pedagogy of Toni Cade Bambara, June Jordan,...
the Rise of American Conservation Movement: Power, Privilege, and Environmental Protection
Fantasies of Nina Simone
Nach Oben