Includes a booklet illustrated with many unseen photos from Mitchell’s personal collection as well as new liner notes featuring conversations about the time period between writer/filmmaker Cameron Crowe and Mitchell.The tracks on Archives Vol II have been sequenced chronologically to follow Mitchell in real time through one of the most creative periods of her career. The collection uncovers several unreleased Mitchell originals, including “Jesus” recorded in 1969 at her friend Jane Lurie’s New York apartment in Chelsea, which also served as the setting for the song “Chelsea Morning.”Other highlights include Mitchell’s performance at Le Hibo
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